Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Installation at Pesch showroom for Gaga & Design, Passagen Interior Design Week, Köln
4TH Dimension – Neil Nenner for Gaga & Design
Entering the web & experiencing being a “four-dimensional creature “
As three-dimensional beings, we are able to see the world with our eyes in two dimensions only. Our brains receive images in the second dimension and use reasoning to help us "picture" three-dimensional objects. A four-dimensional being would be able to see the world in three dimensions, awesome!
Pesch Wohnen showroom , Passagen interior design week 2015, Köln, Germany
