Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Safe harbour
Thousands of people are loosing their safe harbors at sea. drifting, drowning with no where to land. More than 1,000 migrants and refugees have died in the Mediterranean Sea this year, the sixth year in a row that this “bleak milestone” has been reached (Reuters)
This inflatable breakwater Tetrapod, cannot form an artificial harbor to protect from the effect of waves and could not provide a safe berthing for vessels.
The work was made with Avihai Mizrahi. 2019
© Neil Nenner Design 2013 neilnenner1@gmail.com +972 (0)52 6671220
