Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Sea/Land, A shell's journey, Museum of Man and the Living World, Ramat Gan, curated by Niv Nudelman, Rotem Kaplan, 2023-2024
Exhibition design
Designed With Avihai Mizrahi
The Sea-Land exhibition presents biological collections of shells and corals, alongside design works, art, technology and interactive installations.
The surprising contexts between the works, the biological exhibits and the educational messages create an active, unique and multi-sensory experience, which aims to involve and lead a significant movement in environmental thinking.
