Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
De Tech_Slow Tech Exhibition curating & design, Bait Hansen, Jerusalem 2015
The exhibition included works on different media such as art, design, radio, video, sound and more.
This is a call to slow down, not through resistance, but by using technology in a manner that is more attuned to the needs of mankind. It is possible that slowing down will require that we stop to a halt, in order to create an entirely new type of mechanism, one that is based on the human acknowledgment that technology is not the target, it is the instrument.
