Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Cover Story
The project was made with Avihai Mizrahi
Can we separate the archetype of the book and its functionality from the materials it is made of? Is it possible to strip the book off of essential qualities such as its content and still tell a story?
In the series Untitled the book serves as a material, physical, and cultural point of departure for the creation of new objects that stand on their own, and cannot be named.
Unlike a book, in which the content is not directly linked to the physicality of the object, the objects in the series demonstrate a direct link between the materiality and physicality and the content of the object and its story.
Familiar stories
We all know the symbols of our national myths, they were always being made by artists and designers.
It is very rare that we have a symbols representing our family myths, they are usually shape less and remain only to our imagination.
These images were created according to a different stories of my family mythology, they are a mix of privet values with well-known symbols.
Each family member tells the story a bit different and there are a lot of stories that where kept secret. This graphic interpretation is one way to tell the story or maybe one way to tell many stories.
It is both familiar and unfamiliar
